강릉시립교향악단 제108회 정기연주회 관람 (2019. 4.12)
* PROGRAM
Sergei Rachmaninoff – Piano Concerto No. 2 in C minor Op. 18
세르게이 라흐마니노프 – 피아노 협주곡 2번 다단조, 작품번호 18번
Movement: 1, Moderato. 2, Adagio Sostenuto. 3, Allegro Scherzando
Antonín Dvořák – ‘Song to the Moon’ from opera <Rusalka>
안토닌 드보르작 – ‘달에게 부치는 노래’ – 오페라 <루살카> 중에서
Giacomo Puccini – ‘Un bel dì vedremo’ from opera <Madama Butterfly>
지아꼬모 푸치니 – ‘어느 개인 날’ – 오페라 <나비부인> 중에서
* 주제: 사실주의적 낭만의 음악적 표현
1.용어의 정리
(1)TEMPO <From slowest to fastest>
①Adagio – slow with great expression, 66–76 bpm
②Moderato – at a moderate speed, 108–120 bpm
③Allegro – brightly fast, 120–156 bpm
④bpm – beats per minute
(2)PERFORMING MANNER
①Sostenuto – Italian ‘sustained’. The notes should be played in a sustained and prolonged manner. cf. sostenuto pedal
②Scherzando – A gerund form of scherzo which means ‘sport’, ‘jest’, or ‘joke’.
(3)Composers
①Sergei Rachmaninoff (1873 – 1943): A Russian composer, virtuoso pianist and conductor of the late Romantic period.
- Marfan syndrome (MFS), a genetic disorder of the connective tissue.
- Moscow Conservatory
- Russian revolution and moving to the US.
②Antonín Dvořák (1841 – 1904): A Czech composer and conductor of the Romantic period.
③Giacomo Puccini (1858 – 1924): An Italian opera composer
(4)Sonata and Concerto
①3 or 4 movements
②Each movement, especially the 1st movement, consists of three main sections, an exposition(제시부), a development(발전부),
and a recapitulation(재현부). Exposition begins with introduction(도입부) and recapitulation normally ends with coda(코다).
③The main sections or the subparts in a section can be connected one or more transitions(경과구) .
④First Subject (group) or Primary Theme (group) is/are suggested in every movement, especially in the 1st movement in the tonic key.
And then Second Subject (group) or Secondary Theme (group) comes after in a different key.
(5)Opera
①Aria vs. Recitativo (cf. Overture and Chorus)
②Rusalka(pl Rusalki) is a malicious female spirit in Slavic folklore who is usually associated with water.
③Madama Butterfly
④‘Un bel dì vedremo’
⑤‘Song to the Moon’
2.Realism(사실주의)와 Romanticism(낭만주의)의 연결고리
객관적 사실이 추상적 사실을 지배하는가? (TPB: 3rd person point of view)
추상적 사실이 객관적 사실의 근본인가? (FPB: 1st person point of view)
3.Opera(오페라)와 Concerto(협주곡)의 세계 (Cantata vs. Sonata)
4.Puccini, Dvořák, Rachmaninoff의 감성의 공유
